{"id":11333,"date":"2018-10-05T18:29:51","date_gmt":"2018-10-05T22:29:51","guid":{"rendered":"http:\/\/www.xorph.com\/jadixon\/?p=11333"},"modified":"2018-10-05T23:04:02","modified_gmt":"2018-10-06T03:04:02","slug":"my-gallery-talk-about-plein-air-collage","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/jadixon\/archives\/11333","title":{"rendered":"A gallery talk about plein-air collage . . ."},"content":{"rendered":"<blockquote><p>\u201cThe most important thing a painter can do is find<br \/>a good place to sit.\u201d<br \/>\n\u2014 J.E.H. MacDonald<br \/>\n&nbsp;<\/p><\/blockquote>\n<p>As many of you already know, my warm-season activity was sharply curtailed by a mishap that diverted much energy into healing a traumatized left knee. As a result, I was unable to take advantage of the many \u201cart-outs\u201d organized by our <em>Plein Air Artists of Central Kentucky<\/em>. However, I took part in <a href=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/EnPleinAir_2018.jpg\" rel=\"noopener\" target=\"_blank\">their annual exhibition<\/a> and was invited to make remarks at a recent \u201cgallery talk\u201d and describe <a href=\"http:\/\/www.xorph.com\/jadixon\/archives\/9327\" rel=\"noopener\" target=\"_blank\">the plein-air collage kit<\/a> that I assembled last year. Here is an excerpt from my presentation:<\/p>\n<p>\u201cOne of the nicer things about the art-out gatherings is knowing that someone has volunteered to find a great setting, and to arrange all the details with the hosts. So, there you are, arriving at a new location filled with possibilities. Personally, I find that it\u2019s important to not spend too much time selecting a spot to sit, even though, in my mind, the entire enterprise rests upon that decision. I want the act to be part of the overall intuitive process to which my day is pledged. For example, at Cambus-Kenneth Farm, it was tough to avoid squandering valuable minutes, since there were barns, ponds, pastures, an impressive Italianate home, and many remarkably preserved 18th- and 19th-century brick outbuildings, including an icehouse, springhouse, and slave quarters. To keep the inertia, I decided I needed to crop the setting like a photographer, using a viewing card with square window. It was a rare treat for our group to be offered the opportunity to wander among the paddocks and historic structures in such a serene environment, but a plein-air artist is on a mission, the sun does not pause, and there is no room for indecision. If an artist wants to cultivate self-trust and forward momentum in technique, a regular plein-air challenge is the way to do it.\u201d<br \/>\n&nbsp;<\/p>\n<p><a href=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GardenOfAlice_detail.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GardenOfAlice_detail.jpg\" title=\"Garden Of Alice (detail of plein-air collage artwork) ~ J A Dixon\" width=\"207\" height=\"207\" class=\"alignleft size-full wp-image-11341\" srcset=\"https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GardenOfAlice_detail.jpg 800w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GardenOfAlice_detail-150x150.jpg 150w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GardenOfAlice_detail-300x300.jpg 300w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GardenOfAlice_detail-768x768.jpg 768w\" sizes=\"(max-width: 207px) 100vw, 207px\" \/><\/a> &nbsp; <a href=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_OldQuarters_detail.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_OldQuarters_detail.jpg\" title=\"Old Quarters (detail of plein-air collage artwork) ~ J A Dixon\" width=\"207\" height=\"207\" class=\"alignleft size-full wp-image-11342\" srcset=\"https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_OldQuarters_detail.jpg 666w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_OldQuarters_detail-150x150.jpg 150w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_OldQuarters_detail-300x300.jpg 300w\" sizes=\"(max-width: 207px) 100vw, 207px\" \/><\/a><br \/>\n&nbsp;<\/p>\n<p style=\"font-size: 83%; line-height: 133%; margin-top: 188px; margin-bottom: -5px; color: #993300; padding-left: 30px;\" align=\"left\"><em>(above)<\/em> details from plein-air collage artworks by J A Dixon<\/p>\n<p style=\"font-size: 83%; line-height: 133%; margin-top: 15px; margin-bottom: -11px; color: #993300; padding-left: 30px;\" align=\"left\"><em>(below)<\/em> the artist describes his plein-art collage kit at a recent gallery talk<\/p>\n<p>&nbsp;<br \/>\n<a href=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GalleryTalk_CA2018.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GalleryTalk_CA2018.jpg\" title=\"John Andrew Dixon describes his \u2018plein-art collage kit\u2019 during a recent gallery talk at the local Community Arts Center\" width=\"414\" height=\"325\" class=\"alignleft size-full wp-image-11340\" srcset=\"https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GalleryTalk_CA2018.jpg 460w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2018\/10\/Dixon_GalleryTalk_CA2018-300x235.jpg 300w\" sizes=\"(max-width: 414px) 100vw, 414px\" \/><\/a><\/p>\n<p style=\"font-size: 80%; line-height: 133%; margin-top: 303px; margin-bottom: 50px; color: #993300; padding-left: 30px;\" align=\"left\"><em>&nbsp;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe most important thing a painter can do is finda good place to sit.\u201d \u2014 J.E.H. MacDonald &nbsp; As many of you already know, my warm-season activity was sharply curtailed by a mishap that diverted much energy into healing a traumatized left knee. As a result, I was unable to take advantage of the many [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[157,216,244,18,249],"tags":[90,308,316,317,318],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/11333"}],"collection":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/comments?post=11333"}],"version-history":[{"count":10,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/11333\/revisions"}],"predecessor-version":[{"id":11374,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/11333\/revisions\/11374"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/media?parent=11333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/categories?post=11333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/tags?post=11333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}