{"id":10681,"date":"2018-04-26T17:34:25","date_gmt":"2018-04-26T21:34:25","guid":{"rendered":"http:\/\/www.xorph.com\/jadixon\/?p=10681"},"modified":"2019-09-17T13:43:10","modified_gmt":"2019-09-17T17:43:10","slug":"various-and-sundry-scraps-no-1","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/jadixon\/archives\/10681","title":{"rendered":"Various and Sundry Scraps ~ No.1"},"content":{"rendered":"<p><\/p>\n<p style=\"font-size: 92%; line-height: 233%; margin-top: 1px; margin-bottom: 19px; color: maroon; padding-left: 30px;\" align=\"left\">\u2022 <a href=\"https:\/\/vimeo.com\/264268589\" rel=\"noopener\" target=\"_blank\">Don\u2019t we all want to be Cecil when we grow up?<\/a><br \/>\u2022 <a href=\"https:\/\/www.nytimes.com\/2018\/04\/05\/arts\/design\/-before-the-fall-review-german-and-austrian-art-neue-galerie.html\" rel=\"noopener\" target=\"_blank\">There was a time when <em>Merz<\/em> was deemed degenerate.<\/a><br \/>\u2022 <a href=\"https:\/\/acplaird.wordpress.com\/\" rel=\"noopener\" target=\"_blank\">Destruction of the Merzbau and the human toll in Hannover.<\/a><br \/>\u2022 <a href=\"http:\/\/www.tate.org.uk\/context-comment\/blogs\/archives-access-project-animating-archives-new-video-series\" rel=\"noopener\" target=\"_blank\">Kurt Schwitters and his fellow artists in captivity.<\/a><br \/>\u2022 <a href=\"https:\/\/www.widewalls.ch\/synthetic-cubism\/\" rel=\"noopener\" target=\"_blank\">How synthetic cubism led to collage as a modern art.<\/a><\/p>\n<p style=\"font-size: 87%; line-height: 233%; margin-top: 1px; margin-bottom: 44px; color: gray; padding-left: 30px;\" align=\"left\">Thanks to <em>The Kurt Schwitters Society<\/em> for sharing several of these links.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 Don\u2019t we all want to be Cecil when we grow up?\u2022 There was a time when Merz was deemed degenerate.\u2022 Destruction of the Merzbau and the human toll in Hannover.\u2022 Kurt Schwitters and his fellow artists in captivity.\u2022 How synthetic cubism led to collage as a modern art. Thanks to The Kurt Schwitters Society [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,29,5,54,63,445],"tags":[311,90,312,335,332,309,310,334,336,333],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/10681"}],"collection":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/comments?post=10681"}],"version-history":[{"count":10,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/10681\/revisions"}],"predecessor-version":[{"id":10857,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/10681\/revisions\/10857"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/media?parent=10681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/categories?post=10681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/tags?post=10681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}