not falling down

Sumana has managed to combine almost all the reasons I read her blog–inspiration, clarity, critical appraisal of systems and examination of self–into one spectacular post. You should read it.

There’s a quote from Count Zero about being taken up from a low place, rotated through “invisible stresses,” and emerging changed. It’s actually kind of negative in context so I’m not going to reproduce it here. But at some point I have to write about how my interaction with propelled and propulsive people has changed me: how my internship at Dixon Design, followed by meeting Leonard and Sumana, followed by living with Kevan and Holly, reshaped me into someone who no longer fits anywhere outside the self-determined life.

I would have to actually achieve that life first, so I’m not writing it yet. But Sumana’s post brings up another connected point: work that matters for its own sake is superior to work that matters by fiat, which is to say that academic work is worthless in the short or long term, which is to say that I think the lecture-test educational system used in the United States (and, in my understanding, most of the rest of the world) is a sham, a wreck and a hindrance. I graduated with awards and honors from a large public high school and an elite private college, and I still say the system failed me. The intersection of what I learned in classes and my work, play and continuing interests is almost nonexistent; meanwhile, I’m still dealing with the fear and shame endemic to those institutions, and the ways they damaged me.

Under all that I continue to grow more absorbed with the idea of having children someday. I’m starting to consider my life choices in terms of where they’ll grow up, how I’ll support them and how they will learn. (How I’ll actually go about having them is almost secondary.) Could I in good conscience send them down the path less traveled, without having checked it for perils myself? Could I ever prepare them enough for the perils of the path I did take? Sumana again: isn’t it possible to sidestep the bad parts, with enough planning? Well, no, Brendan. Don’t deny the imaginary kids their own invisible stresses.

But if I start seriously working on my own propulsion, maybe my example can reshape someone else.

Stories I have written that revolve around invented or reinterpreted methods of divination: Stella, Jaboullei, Rob, Shekel and Jewel. I was kind of surprised it was this few–I feel like it’s one of the structures to which I keep returning. There’s another one coming Monday, if you hadn’t guessed.

I think the reason I keep coming back to this is a variation on the existential dread I feel when considering the persistence of objects (eg the lives of sapient dishes): the amount of potential information in the world, and how quickly our ability to capture and interpret it is growing, and how insignificant that capability will always be–in an obscure way, these things terrify me. They also thrill me. Look at what we can discover! If time and distance are the universe’s crypto, divination is the original side channel attack.

I also live in constant fear of side channel attacks, by the way, to the point where I have resigned myself to much-more-likely primary channel attacks. I kind of never want to be even mildly famous, as that would destroy what flimsy comfort I take in anonymity.

Anyway, you’ll know I’ve gutted the shark on this theme when I write the one about logymancy. Meanwhile I want to do more of these little collect-and-explain entries; I think they’d be a better point of entry to Anacrusis for new or hesitant readers than just the sheer blank mass of the archives. When one of my best friends refers to my writing corpus as “a stupid amount” and my own mother is too intimidated to read them, I am pretty much failing to sell my product.

Hillary has pretty much the best title ever for her personal journal, but today I’m plugging her food blog, Kimchi for Beginners. It meets the Gramazio-Richardson test of always making me hungry, except it doesn’t have recipes. Not that I make the recipes in Leonard’s or Holly’s blogs nearly as often as I want to.

What Hillary’s blog does have is the clever thing where it sneaks in glances at Korean culture from a unique perspective. I wish I’d been anywhere near as responsible a documentarian on my two international trips. Maybe I should try living in Canada? I understand they do startling things with ketchup and mayonnaise.

I used to walk around London and marvel at the Evening Standard posters at every newsstand, which demonstrated headlines from a more pure and purposeful dimension. They all seemed to be of the form “BUZZWORD BUZZWORD EXCITINGVERBS BUZZWORD” and I commented repeatedly that you could rearrange said buzzwords in almost any order and get an equally plausible (and, probably, accurate) sentence.

Now Holly, who is much more committed about this kind of thing than I am, has created an Evening Standard Dada Generator or whatever they’re called these days. Except it’s not really Dada–as predicted, they mostly make sense, or at least interesting nonsense. No more coming up with original story ideas for me!

Mr. Munson wrote me a great email about The Implicit, and noted echoes of Naomi Shihab Nye’s Valentine for Ernest Mann–which I think we read in his class, and which I had completely forgotten until I read the “poem like a taco” bit, but had clearly absorbed and recycled. Just illustrates the point, really.

And Holly made two cakes (they were supposed to be a four-layer cake, but they got nervous and decided to be two cakes instead), one of which had this written on the dish around it:

Eventually he finds himself writing another pubic hair story, and realises he’s bored. He’s done three zombies, twenty-six otherworldly small girls, ninety-three ninjas; fifty states, every tube stop, all two thousand UN constituent nations, cutting everything he’s ever seen into 101-word pieces. He’s sent the small girls to Ganymede to fight the ninjas (the small girls won), and then set up a rematch deep within the sun (they united against their common enemy, the masked superwhale).

“Next time,” he says, eyes narrow beneath the unruly crest of his white eyebrows, “a hundred and two.”

People read my stuff and write about it. There is no better feeling in the world.

Today I posted the 1001st story in Anacrusis, and I wanted to do something a little different for the occasion: an audio story, read aloud by a startling array of generous people. I thought the hardest part would be actually asking them to read the silly little thing without cringing, and the next-hardest would be the actual mixing process. It turns out that the hard part is not being able to use all the material from everyone for the whole thing. They were all so good!

Thanks to Robert Baker-Self, Maria Barnes, Amanda and Jon Brasfield, David Clark, Amanda Dale, Kevan Davis, John Dixon, Holly Gramazio, Josh Hadley, Sumana Harihareswara, Stephen Heintz, Catriona Mackay, William O’Neil, Leonard Richardson, Kristofer Straub, and everyone who’s had a kind or critical word to say about Anacrusis. Let’s do this again when we hit 10,201.

I’m running the first (theoretically) paid ads ever on xorph.com, now. I don’t have any particular moral objection to ads; it just never seemed worth the trouble before. Until Clockers got boingboinged.

As Holly pointed out, I wrote 991 extremely short stories and she wrote 41 stories that interlock in a crossword, and yet the fanfic we did for a bad movie is what starts eating into our fifteen minutes. Internet is really weird.

All right, I freaking live with The Surrealists, it’s about time I memed it up, right?

Presenting Dr. O’Callaghan’s Scientific Fist Names Generator.

This is all 30 Rock’s fault really, even if they didn’t invent the gag. I love 30 Rock.

On Sunday I was supposed to meet Caitlan here so she could drop some things off before she, Kristi and Melissa went touring in London. The original estimate was that she would show up at 1:00, give or take an hour. Kevan and Holly left to go to Kew Gardens at 2 and Caitlan still hadn’t made it. By 4:00 I figured they’d just decided to lug things around rather than spend time getting here and back, so I decided to try air-drying all my laundry simultaneously. In my small upstairs room, this means festooning every available protuberance (coathooks, shelf corners, light fixtures, etc) with my underpants.

By 6:00, Catriona was home and I went out running. Circa 6:50 I returned and was greeted by Kevan. “Oh,” he said, “your sister and her friends came by. They’re upstairs.”

My life is a sitcom, second in a series.

So some of you may remember that I like Hackers. I like it a lot. I realized some time ago that while I am not into Rocky Horror, if Rocky Horror was Hackers, I would be a full on costume-wearing hot-dog-throwing line-reciting fanboy. GET A JOB, I would shriek. YOU ARE IN THE BUTTER ZONE.

I recently moved to London and into a house where the function of the residents is, essentially, to egg each other on about goofy ideas. Catriona provided the idea of doing read-throughs of plays or movie scripts as a form of participatory recreation, and Holly asked if there was anything I’d like to toss in the prospective-script pile. Could it be really bad, I asked? Because there was one that could be funny.

Later, we were passing around emails about said read-throughs and a possible visit to a museum full of automata. Somehow Holly came up with the joke of steampunk “hackers” as “clockers,” constructing automata instead of programs. I laughed at it. Then I said “clock the Bigben!” Then I said “oh no,” because I really had more important things to do.

Instead, Holly and I spent a few weeks interpolating the movie script into 1860s London, replacing the absurd computer-feats with absurd clockwork and technobabble with Victorian slang. Then we revised and got it printed and got some friends to come over and wear funny hats, and this was the result: Clockers.

Of the people who did the read-through, only Holly and I had read the script or indeed seen the original movie beforehand, and they all did a fantastic job picking up multiple parts and figuring out what was going on. And putting up with my Matthew Lillard impression. Thanks again, guys, and let me know if you want a link under your name on that page.