not falling down

Leonard was here for a week! It was great! I didn’t blog about it because I was too busy hanging out with Leonard. Leonard didn’t blog about it because he apparently spends two weeks out of three on airplanes, to the point that travelblogging has become passé. The world demands Leonard.

Kara and I tried to show him the good side of the city: we ate at a lot of restaurants, played a lot of games, climbed a waterfall and discovered that happiness comes in gourds. Leonard also fixed my stupid hard drive (twice!) and helped me find a new grip on a game design problem that’s been bothering me for months. I can only assume that when Sumana visits in November, she will improve my gas mileage and teach me how to get free money from the government.

By the way! Kara and I are dating, in case you care but are not on Facebook. It is also great! Dating, I mean; Facebook is mostly okay.

I’ve reached the point, in my autoeducation as a cook, where I no longer really measure spices or indeed many liquids. This is great for saving time and for not having to rinse a measuring cup every time I need a quarter-unit of something. It is less great when something I make turns out well and I want to write down the recipe for the future. “A bunch of white pepper,” I find myself writing. “Like, as much as a good cook would put in but then also some more.”

If I could always trust myself to make the same judgments based on words like that I wouldn’t have any problems, but I have no faith in Locke and therefore I am not even sure I’m the same person who started this post, much less the one who cooked a pretty good spaghetti nonbolognese earlier tonight. Also it is probably going to be unhelpful in my inevitable cooking blog.

The (thoroughly hidden) point I wanted to record here is that I’m kind of a good cook now? I’m still working in a very small range, but I keep trying new things and they keep turning out pretty okay. I think cooking is, like kissing and biking, essentially a matter of confidence. The food will believe you’re in charge if you act like it.

I learned to cook spaghetti in ten-gallon vats, almost exactly ten years ago, when Jeremy Sissle got me a job at Fazoli’s. He was also the one who trained me on pasta-cooking rotation. We got to the end, and he hauled out the hose, sponges and soap. “Turn on the hot water,” he said, “and fill the bucket, add about this much soap, and… I mean, you know how to clean stuff.”

I still recite that sentence to myself in scary and uncertain places. It sounds stupid, but I did know how to clean stuff, and remembering that snapped me out of the standard lost-and-seasick feeling that everybody gets from new jobs. (At least, I assume everybody else gets it too.)

The other half of my cook-with-confidence mantra was posted by Kevan, years ago, in a comment on Leonard’s site: “I’ve only recently stopped… expecting food to be an inedible, inert, black lump of Syntax Error if I get something slightly wrong.” It’s so true, and such a perfect encapsulation of the way programmers approach other disciplines: raised by severe machines and math problems with one answer, we expect frustration as a punishment for the smallest mistakes (and indeed, with computers, that often remains the case). But once you realize that the notion of discrete measurement is a consensual hallucination, you find the world a more interesting place. Screw Locke. I’m glad I’m not the same person I used to be.

Sumana has managed to combine almost all the reasons I read her blog–inspiration, clarity, critical appraisal of systems and examination of self–into one spectacular post. You should read it.

There’s a quote from Count Zero about being taken up from a low place, rotated through “invisible stresses,” and emerging changed. It’s actually kind of negative in context so I’m not going to reproduce it here. But at some point I have to write about how my interaction with propelled and propulsive people has changed me: how my internship at Dixon Design, followed by meeting Leonard and Sumana, followed by living with Kevan and Holly, reshaped me into someone who no longer fits anywhere outside the self-determined life.

I would have to actually achieve that life first, so I’m not writing it yet. But Sumana’s post brings up another connected point: work that matters for its own sake is superior to work that matters by fiat, which is to say that academic work is worthless in the short or long term, which is to say that I think the lecture-test educational system used in the United States (and, in my understanding, most of the rest of the world) is a sham, a wreck and a hindrance. I graduated with awards and honors from a large public high school and an elite private college, and I still say the system failed me. The intersection of what I learned in classes and my work, play and continuing interests is almost nonexistent; meanwhile, I’m still dealing with the fear and shame endemic to those institutions, and the ways they damaged me.

Under all that I continue to grow more absorbed with the idea of having children someday. I’m starting to consider my life choices in terms of where they’ll grow up, how I’ll support them and how they will learn. (How I’ll actually go about having them is almost secondary.) Could I in good conscience send them down the path less traveled, without having checked it for perils myself? Could I ever prepare them enough for the perils of the path I did take? Sumana again: isn’t it possible to sidestep the bad parts, with enough planning? Well, no, Brendan. Don’t deny the imaginary kids their own invisible stresses.

But if I start seriously working on my own propulsion, maybe my example can reshape someone else.

“I dare anyone to spend a weekend with Sumana and not serve her communion. I double-dog dare you.”

–Gordon Atkinson, Real Live Preacher

Hey, remember QTrax? There were plenty of other sources reporting on its old-school dotcom launch party, as well as the subsequent Apollo 1-level launch disaster, which featured even their putative deal with EMI vanishing like a booth babe at midnight; I honestly felt too bad (well, apathetic) for them to join in the kicking when they were so clearly down. Today Sumana pointed out that the service is now in the annals of vaporware, just below Duke Nukem Forever. According to that article, the few songs they did try to offer were skimmed off Limewire and then DRMed. I don’t think I’ve ever seen anyone try to start a service so completely benefit-free.

It’s 2008 now, guys. Last year half of the future’s audience didn’t buy a single CD; does anyone really think that audio media featuring any kind of encumbrance are still going to turn a profit? It’s time we started treating music delivery as a resource, not a service, and that means you have to get a lot better at it before you can make a living on the gouge.

I know this is the kind of thing you’re supposed to smugly bury, when you’re writing, but I have this obsession with transparency? So here’s an example of how sometimes the world just drops stuff into your lap.

Almost a year ago I started writing stories about Proserpina, another name for Persephone, probably most well-known for the thing with Hades. In the very first one I threw in a remark about “her faded black tattoos.”

Later I decided to add an Australian of European descent, and only later did it occur to me that I’d set up her semi-suitor as an older man from “down there.” Right?

Then last week I decided to bring the tattoo thing back in, so I had to come up with a rationale for it. Poking around on Wikipedia led me to tā moko, traditional Maori tattooing; apparently New Zealand was becoming more economically entwined with Australia toward the end of the 19th century, so that’s a reasonable connection. Then I looked up the origin story of tā moko.

It’s about a man who descends into the underworld to find the wife he drove away. Persephone inverted.

I have traditionally viewed with skepticism the English-lit platform of divorcing the author from the work, but man, I could not have done this on purpose. The title of this entry comes from a discussion I had with Leonard a while back about his writing process; apparently this kind of thing happens to him all the damn time. I understood the sensation of epiphanic writing when he described it, but I couldn’t find any examples to hold up from my own corpus. This is about as close as I’ve come.

Mild ethical issues here: there’s a growing concern among Maori that moko is being appropriated by whites who have neither full grasp of nor entitlement to the art form, and, well, I’m kind of doing that. My defense is that I do plan to set it up with an explicit Maori connection, somehow, and to respect the source. I’m not sure whether recontextualization of a minority culture’s mythology is inherently evil or not, but I do think it’s inevitable. Origin stories are virulently memetic because they’re supposed to be. Eventually I’ll have to do a theme-post about how often I rip off and mash up mythology I don’t really understand.

Every two weeks I post a new bit of what is, I must reluctantly admit, Star Wars fan fiction. This week I made Han Solo a girl. Andy really liked that, and this started as a response to his commentary.

Luke and Leia hold at least as much mythic significance most people of our generation as, say, Theseus and Ariadne would have held to your typical Athenian. Putting them onstage applies a certain pressure of reader expectation to your plot; twisting that can have the same effect as subverting other, more generalized social norms, and has the benefit of coming from an unexpected direction. Sumana’s excellent post about slash and subversion points out that such twists can “disorient and reorient” your experience of the original work. It’s exactly what Euripides did with Medea, and Virgil with Aeneas (and Dante with Virgil).

But since our high-information society allows–indeed, legally requires–traceback to the writer who first introduced any given character into our awareness, we no longer have stories that seem to have spontaneously informed our culture. When every dollar has a serial number, there is no common coin. The consensus-approved solution is to wait until the story you want to rewrite is a) old and respectable and b) in the public domain, and right now, the former still takes longer. The problem is that the rate at which we produce stories is accelerating, and a story that fills the Western imagination one year will likely have been forgotten in the tide of newcomers eighty years later. This is what fanfic tries to solve.

My basic conceptual issue with fanfic is that it caters mostly to niche audiences; it tends to reinforce cliques and generate closed language instead of transcending boundaries and bringing together disparate audiences (props again to Sumana for illuminating that distinction, although at the time it was in the context of neo-web projects). Cross-genre fiction appeals to a unity of two groups, where crossover fanfic appeals only to an intersection. In that way I actually have more sympathy for stories written in the context of ultra-popular milieu: you can parse and enjoy Star Wars fanfic without being a Star Wars fan. If you’re alive and reading English in 2007, it very likely has connotations and relevance to you.

Of course, by the same token, the word “fanfic” has enormous connotations (and connotations of enormity) to people who’ve been internetting for a while. It’s usually either a sniveling kleptomania that must be stamped out or a persecuted child who must be defended. I maintain that fanfic is a gradient based on how well you hide your influences, that authors who deride fanfic as stealing could use a strong dose of self-examination, and that I personally prefer work on the better-hidden end of the scale because that means you had to do the work of hiding it. Lazy fiction is not good fiction, and I say that as someone who is pretty lazy, pretty often.

The quarterly investing magazinelet I get from my IRA holder has, as its latest cover line, “The Best-Laid Plans.” Like Anse Bundren, I don’t think they know the rest.

Plans are worthless. I had half an evening free from work tonight and it confused me: I had kind of forgotten what else to do with myself. I haven’t billed a mere 40 hours since the (four-day) week in which I flew back from London; last week–of which I theoretically spent half vacationing–I billed 60. It’s all for the same hideous, endless project, the kind you hear spook stories about from people who have spent too long working with computers. It was supposed to finally launch tonight, and I–as the project lead–hit every target that was required by 6:00. At 6:02 the client decided that two more problems were worth delaying launch for. By 8:30 (with my Tuesday friends waiting in the living room) I’d fixed those too. Guess whether the launch happened!

I need a vacation; the last one I had was nice, but it amounted to what most people would call a “weekend.” I’m running bufferless in all my endeavors and I obviously haven’t had time to write anything here. I also haven’t had time to get a haircut, pick up my new glasses or practice for a fairly important test.

Boo hoo, I get paid well to work on my couch. Pretend there’s a good segue here about writing, buffers, responsibility and personal milestones.

I miss MC Masala and I’m sad to see its archives disappearing from the Inside Bay Area site. Obviously, Sumana’s still blogging, but her column was different: the early ones had a conspiratory enthusiasm, as if the author was sneaking you in to see how columns work and wasn’t supposed to be there herself; the later ones displayed an enjoyable assurance and a growing set of tools for telling stories.

I hope she posts her own digital archive soon. Or (he murmured hypocritically) perhaps a book-on-demand?

Today I posted the 1001st story in Anacrusis, and I wanted to do something a little different for the occasion: an audio story, read aloud by a startling array of generous people. I thought the hardest part would be actually asking them to read the silly little thing without cringing, and the next-hardest would be the actual mixing process. It turns out that the hard part is not being able to use all the material from everyone for the whole thing. They were all so good!

Thanks to Robert Baker-Self, Maria Barnes, Amanda and Jon Brasfield, David Clark, Amanda Dale, Kevan Davis, John Dixon, Holly Gramazio, Josh Hadley, Sumana Harihareswara, Stephen Heintz, Catriona Mackay, William O’Neil, Leonard Richardson, Kristofer Straub, and everyone who’s had a kind or critical word to say about Anacrusis. Let’s do this again when we hit 10,201.

I never remember that when I need to apply a style to a server-side generated element, I don’t have to dig ten stupid lib files deep into the PHP or whatever and add a class attribute, I can just put it in a span (or div) and style all the elements of type x within that. So in case you forget the easy way to style server-side generated elements: put them in a span or div and style all the elements of type x within that!

Okay, hi. Working a lot.

Maria visited last week, and alleviated any potential self-absorbed silliness just by being here. But we also went to Brighton and the Tower of London (pictures soon), and played lots of games, including some with Leonard and Sumana. London had changed its mind and decided to be cold, but at least it didn’t start snowing until she was on her way home. I am still not doing my fair share of the cooking.