Archive for February, 2018

a light of meaning . . .

Wednesday, February 28th, 2018

“As far as we can discern, the sole purpose of human existence is to kindle a light of meaning in the darkness of mere being.”
— Carl Gustav Jung
 

I come from a family heritage of people who have sought meaning in devotional activity. Whether or not I carry on their particular practice, a subconscious inheritance often bubbles to the surface through my creative rituals. I’ll leave it to others to suggest if any spark of light has been kindled. It would be gratifying to think so.
 
Uncle Art’s Homilies ~ J A Dixon

Uncle Art’s Homilies
collage miniature by J A Dixon
4 x 5 inches
 
Purchase this artwork.

20th-Century Man, 21st-Century Artist

Wednesday, February 21st, 2018

Earlier this month I had the privilege of attending a gallery talk by Kentucky artist Robert Hugh Hunt, as he outlined his ambitious “Twentieth-Century Icons” collage portrait project and described an attitude toward the medium that is profoundly thought provoking.

R H Hunt gallery talk at the Community Arts Center in downtown Danville, Kentucky

 

 

 

 

 

 

 

 

You may be aware of Robert from his long-running Hillbilly Voodoo collaboration with T R Flowers or the way he brings an individualistic mixed-media aspect to contemporary collage. Hunt and I have done our own collaborative works together and we share the experience of creating collage artwork in a geographic environment that often responds to the medium with a sense of bewilderment. Clearly, this circumstance is no impediment to the strong personal approach that runs through Robert’s body of work. He describes himself as a twentieth-century man, but his art is always fresh and intuitive. It springs from a deep cultural awareness that is inseparable from his creative identity.

Hunt told me that he thinks there is lot of negativity towards collage. “I hear people say that collage artists are only using something someone else has created,” he said. “The word appropriation is bandied about. This is true to a certain extent. Collage is a medium steeped in appropriation, and as such is delegated to the status of the red-headed stepchild of art. But to me collage or any medium has to transcend the material used to make it, to truly be art. It is the collage artist’s job to use the appropriated imagery, and, by changing and manipulating it, to relay his own message and to find his own voice.”

Katrien De Blauwer recently brought our attention to the same topic with a link to this page at WIDEWALLS, where Elena Martinique suggests that the term adoption is “more appropriate to describe the level of care one should take when using someone else’s creativity” as a point of takeoff. Many of us who pay attention have seen collage after collage that exploits a prominently featured, “load-bearing” image, with trite or superficial treatments that rely almost solely on the power or interest of a photographer’s or illustrator’s invested creativity. Most of us probably started out this way, and it can be initially absolved in student work. Professional or serious amateur collage artists must hold themselves to a much higher standard.

Perhaps that is why I lean toward “maximalism” in my own work. I don’t know what I would say to other creative people if they called me on merely tweaking their intellectual property with a note of irony, humor, or cosmic wonder. Robert Hugh Hunt’s in-process portrait of the 14th Dalai Lama ~ newest addition to his ‘20th-Century Icons’ seriesI have great respect for collage minimalists who bring a consistent level of innovation to work that actually transcends the component parts.

Robert Hugh Hunt moves from minimalism to maximalism with a particular voice that defies imitation. In the tradition of fine art collage, the unique instrumental sound of “Robbo” is heard above whatever compilation of raw ingredients he puts to use. But, for me, there is another dimension that is also present — an authenticity rooted in drawing that cannot be imposed with a contrived “outsider” style. I look forward with high anticipation to how he brings all of this capability to his emerging series of famous faces.
 


 

EinsteinTeddyAliAnne Frank
mixed media collage portraits by R H Hunt
16 x 20 inches each, 2014-2017

(below) R H Hunt at the Community Arts Center with his
in-process portrait of the 14th Dalai Lama

 
R H Hunt with his in-process portrait of the 14th Dalai Lama
 

 
Mama’s Story ~ R H Hunt

Mama’s Story
monochromatic collage by R H Hunt

collaborative collage on playing cards from ‘Hillbilly Voodoo’ series ~ R H Hunt and T R Flowers

collaborative collage
from ‘Hillbilly Voodoo’ series
R H Hunt and T R Flowers

The Story ~ R H Hunt The Five of Arts ~ R H Hunt Let Dad Live ~ R H Hunt
 
Struggling Man Upon the Rock ~ R H Hunt The Number ~ R H Hunt The Death Of Billy ~ R H Hunt
 
His Big Day ~ R H Hunt Thirst ~ R H Hunt

mixed media collage by R H Hunt
(click each to view larger)

Be mine . . .

Wednesday, February 14th, 2018

 
Valentines by John’s Haus of Cards!

Valentines by John’s Haus of Cards!

Coordinates Askew

Monday, February 12th, 2018

 
Coordinates Askew ~ collage miniature by John Andrew Dixon ~ Danville, Kentucky ~ Kentucky Crafted Mixed Media Artist

Coordinates Askew
collage miniature by J A Dixon
6.125 x 7.0625 inches
 
Purchase this artwork.

Wednesday, February 7th, 2018

Happy Birthday to Meg Higgins, an exceptional collage artist!
 

Love of Beer ~ series Pi ~ from John’s Haus of Cards!

Love of Beer
collage on Samuel Adams coaster, 4 x 4 inches
Haus of Cards, series Pi, J A Dixon
collection of M Higgins

details of Wetland

Monday, February 5th, 2018

“It’s always better not to talk about it. Just f—ing do it. Don’t ’splain it. Especially if you’re getting away with it.”
— Harrison Ford
 

I stopped by the exhibition where Wetland is on display and made a few phone-camera croppings. I guess that I wouldn’t have a blog if I usually didn’t like to talk about my work, but, since I’m not in a wordy mood, I’ll let the images speak for themselves this time. Thanks for looking! The show in downtown Danville lasts until February 24th.
 
details of Wetland ~ a collage landscape by John Andrew Dixon

details of Wetland ~ a collage landscape by John Andrew Dixon

details of Wetland ~ a collage landscape by John Andrew Dixon

details of Wetland ~ a collage landscape by John Andrew Dixon

details of Wetland ~ a collage landscape by John Andrew Dixon

Wetland (five details)
collage landscape by J A Dixon
21.25 x 19.25 inches
on structured panel, framed
available for purchase

Star Baby Feline

Saturday, February 3rd, 2018

 
Star Baby Feline ~ collage miniature by J A Dixon ~ a salute to the 70th birthday of Burton Cummings

Star Baby Feline
collage miniature by J A Dixon
4.25 x 4.25 inches

a salute to the 70th birthday of Burton Cummings