Archive for June, 2016

Collage Miniature Collaboration Number Five

Sunday, June 26th, 2016

“I love improvisation. You can’t blame it on the writers. You can’t blame it on direction. You can’t blame it on the camera guy… It’s you. You’re on. You’ve got to do it, and you either sink or swim with what you’ve got.”
— Jonathan Winters

“The thing about improvisation is that it’s not about what you say. It’s listening to what other people say. It’s about what you hear.”
— Paul Merton

Two of the things that distinguish the artwork of Mary Madelyn Carney are keen visual contrasts and an imaginative approach to choosing ingredients. Naturally, she brings these qualities into her collage collaborations, so I wanted to send her a couple of bold “starts” on book covers that might play to her strengths. In hindsight, perhaps I did not provide her as much “elbow room” as the ones she sent me. Collage collaboration is quite a bit like two actors doing a scene. The key is to enhance each other’s performance, and to avoid stepping on lines or physically upstaging the partner. Actually, it is even more like live improvisation, especially when it is understood that the result will be shared publicly, because the success of a collaboration depends on how well you “listen,” and very little on imposing your own thing.

I was delighted with the way that Mary responded. Her intuitive decisions blended skillful symbolic fusions with an evident personal quality, and the aesthetic nuances were superb. That the two of us might interact on the same “wavelength” was first suggested to me some time ago by veteran collaborator Allan Bealy, but I had not anticipated just how conscientious she would be with our joint venture. We may have to join forces again for another “jam session.”

A collage miniature collaboration by John Andrew Dixon and Mary Madelyn Carney

Robin’s Chest
a collage collaboration by J A Dixon and M M Carney
(start by Dixon, finish by Carney)
5 x 7 inches, collection of M M Carney

A collage miniature collaboration by John Andrew Dixon and Mary Madelyn Carney

Pickling My Husband
a collage collaboration by J A Dixon and M M Carney
(start by Dixon, finish by Carney)
5 x 7 inches, collection of J A Dixon

Merely a metabolic event?

Sunday, June 19th, 2016

“I’m a ‘what if’ person. I have always felt that failure was a completely underrated experience.”
– Kevin Costner

Process is everything with some artists, and I respectfully get that. Experimental spontaneity within the small format is a vital and meaningful aspect of my art, but when I scale up for a larger work, I apply that experience and insight toward an end result — something more planned, with the intention to provoke a positive response in another — an agreeable product, if you will. So, what about the individual artwork that has “merely” contributed to the overall creative metabolism of an artistic investigation, and, as a stand-alone work, is little more than a “glorious failure,” in the final analysis?

I wish I knew how to answer that dangling question. Obviously, not every collage “sketch” is significant in its own right, but if the potential exists for it to engage a particular person, and that person wants to observe it repeatedly, to discover if it has a few secrets others have missed — how can anyone diminish its intrinsic value?


collage miniature by J A Dixon
7.375 x 9.5 inches
Purchase this artwork.

Dada and the Surreal Face in Contemporary Collage

Sunday, June 12th, 2016

“Nobody knows, and it is now too late to discover, who invented that most succinct of all art movement names.”
— Robert Hughes

“Style is not to be trusted.”
— Milton Glaser

As most of you know, 2016 marks the centennial of the art movement known as Dada. Although credit for originating collage is customarily granted to the Cubists, nobody shaped the emerging medium as powerfully as early 20th-Century Dadaists and their successors, the Surrealists. Very few traditions or conceptual approaches in contemporary collage have not navigated the tributaries they established, in spite of the fact that each of these artistic “schools of thought” had a relatively short apex. Much continues to be said and written about the catalytic Hugo Ball and the seismic effect after he opened Zurich’s Cabaret Voltaire with Emmy Hennings in February, 1916. Most of the work still being created under the banner of collage has not escaped the hundred-year shadow of inherent sensibilities unleashed on modern art by those who first uttered “Dada!” — spontaneity, chance, irreverence, consternation, and, perhaps foremost, a rejectionist posture. Without a doubt, most collage artists of our time would disagree with Ball’s exhortation to “burn all libraries and allow to remain only that which everyone knows by heart.” Nevertheless, they might indeed relate to his conclusion that “this humiliating age has not succeeded in winning our respect.”

Warsaw-based designer/educator and blogger Annę Kłos describes Dada as a world view, that by its very nature could not be homogeneous, and that the seminal Merz of Kurt Schwitters was manifest within the context of internal incompatibilities. For the most part, however, many artists now tend to lump together the Dadaists, and emulate their visual and intellectual departures as an encompassing genre at best and a mere “style” at worst. — Time out. — This is when I grab myself by the scruff of the neck to keep from going off on an unnecessary tangent. My purpose is to share an ongoing fascination with how Dada continues to influence those of us working in the medium today. Permit me to highlight one particular “subject” that shows no sign of diminishing — the enduring exploration of the Surreal Face. René Magritte’s Le fils de l’homme immediately comes to mind (or his much earlier cover image for André Breton’s Qu’est-ce que le surréalisme?). One must follow their roots to Dada, and to the photomontages of Raoul Hausmann and Hannah Höch, (or her The Strong Guys, or his Tatlin at Home). For me, nothing exemplifies the unsettling, elusive qualities of the Dada phenomenon better than when a contemporary collage virtuoso captures that inexpressible twist of incongruity and aesthetic finesse with a surreal take on the human head. Just when I think there is nothing more to be tapped, I appreciate anew how inexhaustible this “renewable resource” can be.

Flore Kunst
From her extraordinary “sketchbook” (Page 1).

Katrien De Blauwer
From her Loin Series. Does anyone else do more with less?

Charles Wilkin
“For me clarity and relief is found solely through the process itself.”

Peggy Despres
The prolific Peggy Pop will find the sweet spot.

Pascal Verzijl
Never Saw It Coming (Did Dadaists see digital collage coming?)

Matthew Rose
My Advice (What would I actually give to get his advice?)

a surreal face by J Stezaker

John Stezaker
“It sometimes feels like I am cutting though flesh.”

Collage Miniature Collaboration Number Four

Sunday, June 5th, 2016

“I like the idea of collaboration. It pushes you. It’s a richer experience…”
— Frank Gehry

There is something appealing about the way Berlin artist Stefan Kraft balances exceptional liveliness with aesthetic restraint in his work. I was pleased when he wanted to join forces for my second international collaboration. I consider myself relatively new to the start/finish approach, but Stefan had not previously participated in this type of collaborative exercise, so I am flattered that he asked me. I am eager to see what he does with a couple of my “starts” on their way to Germany. Featured here is how I completed the ones he sent to me first.

A collage miniature collaboration by John Andrew Dixon and Stefan Kraft

Untitled (ARROWS)
a collage miniature collaboration by J A Dixon and S Kraft
(start by Kraft, finish by Dixon)
5 x 7 inches, collection of J A Dixon

A collage miniature collaboration by John Andrew Dixon and Stefan Kraft

Untitled (SEVEN)
a collage miniature collaboration by J A Dixon and S Kraft
(start by Kraft, finish by Dixon)
5 x 7 inches, collection of S Kraft

Thursday, June 2nd, 2016

John Andrew Dixon is The Collage Miniaturist ~ a graphic artist based in Danville, Kentucky





Buy Miniatures Before July 1st!


Hello, Everybody ~

I shall be hiking prices on all my existing collage miniatures after July 1st, just in case you would want to grab some through this site before then. (As most of you know, these are not “minimalist” works, and no longer am I able to offer them as if they are.)

Thank you for all the encouragement!

John Andrew Dixon