Archive for the 'Pear Series' Category

details from Pearallelograms

Sunday, January 17th, 2016

“The artist is a collector of things imaginary or real. He accumulates things with the same enthusiasm that a little boy stuffs his pockets. The scrap heap and the museum are embraced with equal curiosity.”
— Paul Rand
 

One of my first large-scale collage concepts was an artwork I called Pearallel Universe. When it was purchased by a regional health care system to hang in a new patient facility, I temporarily set aside the “visual pun.” After creating Pearental Discretion last year, I continued to accumulate images in anticipation of another takeoff on the pear theme. I also had been looking to break out of the conventional rectilinear format by exploring thumbnail concepts with polygonal shapes. When the parallelogram repeatedly occurred in my tiny sketches, the two ideas merged, unsurprisingly, as Pearallelograms.

This latest collage construction is another attempt to liberate collage from the typical “framed-behind-glass” approach, to recapture the medium’s painterly roots with an exposed surface that can stand on its own, and to introduce a more three-dimensional context that presents the end result as an “artifact.” I would hope that I had a bit of success at meeting these objectives. So far, the piece has been well received.

In what is becoming a ritual post-mortem for bigger collage artworks, I have repeatedly cropped the composition to explore and internalize aspects that may not have been apparent to me during creative formation. It is something I recommend to fortify intuition. To be honest, I would rather not be thinking consciously about the design dynamics in process, but I can only maintain that orientation by imposing a rational critique on my work after the fact. This sometimes leads to the closing refinement of an unfinished piece. More importantly, it also provides a stronger foundation for spontaneity in the future.
 

detail from Pearallelograms by John Andrew Dixon, Danville, Kentucky ~ internationally known as The Collage Miniaturist

My goal was to use many pears — as design elements,
for thematic rhythm, and as devices for a surreal touch.

detail from Pearallelograms by John Andrew Dixon, Danville, Kentucky ~ internationally known as The Collage Miniaturist

As elements, the chosen thematic objects should oscillate
between representation and abstraction.

detail from Pearallelograms by John Andrew Dixon, Danville, Kentucky ~ internationally known as The Collage Miniaturist

Diagonals with pears as “end points” were applied to
three negative areas that needed more spatial activation.

detail from Pearallelograms by John Andrew Dixon, Danville, Kentucky ~ internationally known as The Collage Miniaturist

The last pear image was positioned between profiles and
resonates with a more literal treatment at the very top.

detail from Pearallelograms by John Andrew Dixon, Danville, Kentucky ~ internationally known as The Collage Miniaturist

The final subject was “built” with an actual dried iris petal,
the torn image of a peacock feather, and a cut-paper stem.

Thanks for visiting! Forgive me if today’s entry is too verbose, because I generally try to avoid that. If, however, you don’t mind if I wax wordy, please register and comment here to let me know. I promise to reply.

New Year New Art, 2016

Sunday, January 10th, 2016

“The pitch is fairly simple – we invite a bunch of our favorite local and regional artists to show us their latest work – made since August of this year. The artists have a ton of energy and momentum for this show because they know that people will see their work, they know that the other artists are putting together something amazing, so there is a lot of positive peer pressure to make some outstanding work.”
— Brandon Long
 

One of my most anticipated exhibitions of the year is the annual New Year New Art show at our local Community Arts Center. For the fourth year running, the invitational has been organized by Brandon Long. The current installment is the biggest ever. A versatile artist and designer in his own right, Long is a confidante, motivator, and energetic ambassador for the arts in Central Kentucky. He has both the artist’s and the institution’s best interests at heart, and that is not an easy balancing act to pull off. Whatever else may transpire in the year to follow, it is gratifying to display new work of my own choosing among friends and fellow collage artists such as Kathleen O’Brien and Connie Beale. If you are in the area and weather cooperates, be sure to check out this outstanding January show.

Knowing that whatever I create will have a public unveiling, surrounded by selections from some of the finest regional artists, has challenged me to transcend self-imposed perceptions about the medium of collage. It also has spurred me to lift my artisanship up another notch for the upcoming year. Two ideas converged to spark Pearallelograms — more details about the piece in my next entry.
 

Pearallelograms ~ J A Dixon

Pearallelograms
collage construction by J A Dixon
22 x 22 inches
available for purchase

Pearental Discretion

Wednesday, February 4th, 2015

“When people think about creativity, they think about artistic work — unbridled, unguided effort that leads to beautiful effect. But if you look deeper, you’ll find that some of the most inspiring art forms, such as haikus, sonatas, and religious paintings, are fraught with constraints. They are beautiful because creativity triumphed over the ‘rules.’ Constraints shape and focus problems and provide clear challenges to overcome. Creativity thrives best when constrained.”
— Marissa Ann Mayer

I have been intrigued by the recent work of participants in the Matchbook Collage Collaboration Project. Collage artists, whether working alone or in collaboration, are increasingly known for imposed restrictions — time, scale, format, or ingredients. Early on I gained a healthy respect for the power of parameters, most likely because I was educated as a designer and trained as an applied artist. Years later, this respect was amplified significantly when I witnessed my nephew create thousands of 101-word stories as an exercise in creative writing.

A big part of managing open-ended potential when initiating new work is to dig for an “inner assignment” that limits the options and sparks a creative impulse. Another good catalyst is to look around for an external constraint. I enjoy reacting to calls-to-artists that focus on an organizing concept. Even if I don’t actually apply, the triggered intuitive process can be informative. Here is a piece that I just finished in response to the exhibition theme of “Home.” In addition to framing the possibilities, it provided an opportunity for me to work more three-dimensionally, explore color scheme limitations, and further investigate the combining of found materials.
 

Pearental Discretion ~ John Andrew Dixon

Pearental Discretion
mixed-media artifact by J A Dixon
11.25 x 9.25 inches
available for purchase

Pearallel Universe

Monday, July 30th, 2012

 

Pearallel Universe

Pearallel Universe
collage with combined mediums by J A Dixon
private collection