Archive for the 'J A Dixon' Category

Order horse-themed note cards here

Saturday, June 30th, 2018

For those of you who still do hand-written messaging, note cards that feature two collage artworks from my Horse Series are now available directly from this site. I created this packet of smaller cards for the Governor’s Derby Celebration in May. Each blank card is 4.375 x 6 inches and is folded along the left edge. Envelopes are included.

Click below to buy with your PayPal account or a credit card.
No extra charge for shipping, handling, or state taxes within the USA.
International customers, please contact me directly.

Thank you!

 

Assorted vertical-format cards ~ 4 cards, 2 each of 2 ~ $15.00
features Sovereign Creature and Exalted Beast.

 

 

Preview each distinctive collage note card —

Make it count

Saturday, June 23rd, 2018

“True desire in the heart, that itch that you have, whatever it is you want to do, that thing that you want to do to help others, and to grow, and to make money, that desire, that itch, that’s God’s proof to you, sent beforehand, to indicate that it’s yours already. And anything you want good you can have, so claim it, work hard to get it. When you get it, reach back, pull someone else up…”
— Denzel Washington
 

Denzel is the quintessence of the successful artist, and, by all appearances, he has defied the stereotype by cultivating humility and magnanimity. He also says, “Each one, teach one.” There are many ways to teach, and the opportunity presents itself differently at various points in our creative life.

I have always tried to compare and contrast the human qualities of those who have reached the pinnacle of an art form, and to remember that it cannot be about the creative result alone. When someone like Denzel advises, “Don’t just aspire to make a living. Aspire to make a difference.”, there is a desire for us to examine our definition of success, and it undoubtedly comes from a life experience that has had its ups and downs, its in-focus and out-of-focus moments.

For me, a passion for traditional teaching was more of a young person’s enterprise. I taught art to youngsters back in the “halcyon days” before background-check requirements, and spent seven years in my 30s as an adjunct professor in a university environment, taking what I was learning in the studio and sharing it with those just starting out. Other artists come to giving back much later in life, and bring to teaching their mature insights and proven practices. But, for me, the making of gift art has been the most fulfilling way to teach others in an unconventional way. Beyond a demonstration of willingness to give the gift of time and artistic effort instead of monetary value, one can also stimulate curiosity about the creative process that is personally powerful to young people.

 
 
 
 
 
 
 
 
 
 
My Cosmosaic Series is only one of the ways that I have tried to meet this obligation. It is almost impossible to describe the reaction of young people when they realize that you’ve made them the object of an exercise in pure creativity, as well as the recipient of the finished work. Many profound conversations have been the result — discussions about life aspirations and individual destiny that would have been awkward or futile to jump-start in another context. It should go without saying that this is merely one way to teach another about one’s most significant values, but it happens to be one that is readily available to any imaginative individual.

As always, keep creating lots of stuff, but let’s not forget to make some of it count in an exceptional way. Pulling someone up a bit may be the most selfishly meaningful thing of all.
 

Thirteenth Cosmosaic ~ J A Dixon

Thirteenth Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection

Fourteenth Cosmosaic ~ J A Dixon

Fourteenth Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection

Sixteenth Cosmosaic ~ J A Dixon

Sixteenth Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection

Twenty-third Cosmosaic ~ J A Dixon

Twenty-third Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection

Faded Recollections

Saturday, June 16th, 2018

 
Faded Recollections ~ J A Dixon

Faded Recollections
collage miniature on book cover by J A Dixon
5.625 x 7.75 inches
 
Purchase this artwork.

Note cards from Cherry Balm available online

Thursday, May 31st, 2018

Now you can purchase here at this site note cards that feature details from Cherry Balm as a packet of four assorted cards. Created for last year’s holiday market, this set of four vertical note cards contains cards with one each of four cover images. Larger than a typical note card, each blank card is 5.125 x 7.75 inches and is folded along the left edge. Envelopes are included.

Click below to buy with your PayPal account or a credit card.
No extra charge for shipping, handling, or state taxes within the USA.
International customers, please contact me directly.

Thank you!

 

Assorted vertical-format cards ~ 4 cards, 1 each of 4 ~ $22.00
features Cherry Balm

 

 
 

Preview each distinctive collage note card —


Governor’s Derby Exhibit, 2018

Thursday, May 17th, 2018

My 3D collage from last summer, Star of Commonwealth, is currently on display as part of the Governor’s Derby Exhibit titled Reflections of the Commonwealth. It is an honor to have my artwork chosen and, reportedly, positioned near the door to the Governor’s offices. Yes, it’s a cool thing, if I do say so myself. The Kentucky-themed piece was created as part of the 225th birthday celebration for our Bluegrass State. I have yet to replenish my stash (hint, hint, wink, wink) that would enable me to do another similar artwork. The annual initiative coordinated by the Kentucky Arts Council is on view in Frankfort at the Capitol Rotunda through June 4th.
 
detail from ‘Star of Commonwealth’ ~ collage construction by John Andrew Dixon, Danville, Kentucky

Star of Commonwealth (detail)
mixed-media collage construction by J A Dixon
22 x 21 x 6 inches
available for purchase

Silk Road Guardians

Sunday, May 13th, 2018

“We have had 6,000 years of history with the horse and only 100 with the automobile.”
— Gloria Austin
 

In the spirit of my preparations for the Derby Celebration, I finished the next miniature in the Silk Road Series. It, too, carries an equine theme and provided me a perfect opportunity to hone my technique for an “apparently seamless” impression when combining a rich tangle of ingredients. There are times when one wants to convey that each element is a distinct part of the composition, and at other times to disguise their individual identity, working with larger visual quantities and textures formed by a composite of scrap.
 
Silk Road Guardians ~ collage miniature by John Andrew Dixon ~ Danville, Kentucky ~ Kentucky Crafted Mixed Media Artist

Silk Road Guardians
collage miniature by J A Dixon
7 x 9.375 inches
 
Purchase this artwork.

The Governor’s Derby Celebration, 2018

Sunday, May 6th, 2018

“The Kentucky Derby is a time-honored tradition, and so, too, is our celebration of work by Kentucky artists.”
— Kentucky First Lady Glenna Bevin
 

It was a privilege to be among sixteen Kentucky artists selected to exhibit and sell their work during the Governor’s Derby Celebration yesterday on the lawn of the Old State Capitol in Frankfort. It was my first opportunity to participate in something limited to adjudicated members of the Kentucky Arts Council’s Kentucky Crafted program. The day started with such miserable weather that I wondered if anyone would show up, but I was surprised at how many came and enjoyed themselves at the rain-or-shine event. Kentuckians really do support everything with a connection to the Derby! In the spirit of all things horse, I created four collage improvisations with equine scrap. Please let me know what you think!
 



 

(clockwise from top)
Horseplay with Photo Finish – (buy now)
Horseplay with Pink Silks – (buy now)
Horseplay with Palomino Stare – (buy now)
Horseplay with Hunter Seat – (buy now)

four collage miniatures by J A Dixon
5.5 x 7.75 inches each
available for purchase

(below) the artist at the Old Capitol grounds
in Frankfort with his Kentucky Crafted display

 
JAD with a visitor to his Derby Celebration display at the Old Capitol grounds in Frankfort, Kentucky

 

Triple Play

Monday, April 30th, 2018

“Friendship is a manifestation of God’s love for you, expressed through your friends, who constitute the richest possessions a human being can have.”
— Paramhansa Yogananda
 

As I have probably emphasized too many times in this format, one of the most enjoyable forms of collage artwork is the personal montage, which begins with a sort of meditation on a particular friend or family member and evolves with an array of ingredients driven by a unique set of preferences and associations. Over the years, in many ways, it has provided me an instructive path to a fuller expression of the medium, and I shall never miss opportunities to continue such a rewarding practice.
 
Triple Play ~ J A Dixon

Triple Play
collage miniature by J A Dixon
7.75 x 10.25 inches
collection of S P Vagedes

Mr. Kraler’s Distress

Monday, April 23rd, 2018

“I don’t think of all the misery, but of the beauty that still remains.”
— Anne Frank
 

It has been a distinct pleasure to perform in the company of some accomplished dramatic artists. I felt like a novice throughout our local production of The Diary of Anne Frank. There were times when the angst of my character, Mr. Kraler, spilled over into my off-stage being. So, naturally, I fell back on my own art and made a collage miniature as a creative catharsis. After a bit of sadness when the Secret Annex set was struck, I found myself eager to spend more time in the studio.
 
Mr. Kraler’s Distress ~ collage miniature by John Andrew Dixon ~ Danville, Kentucky

Mr. Kraler’s Distress
collage miniature by J A Dixon
8.25 x 9.375 inches
collection of the artist

from the diary of a collage artist . . .

Saturday, April 7th, 2018

Opened by Customs was created in Lysaker, Norway, after Schwitters emigrated from Nazi Germany in 1937. Here he attempted to continue his Merzbau, or Cathedral of Erotic Misery, which he had begun in c.1923 in his apartment in Hanover. While living in Norway his work was exhibited in his homeland in the Nazi Degenerate Art exhibition. He left Norway for Britain in 1940 when Germany invaded the country. … The complex mesh of language and layers that comprise the work suggests a correspondingly complex web of ideas and emotions. The turmoil of the period (experienced by Schwitters as well as other German émigrés) is conveyed through the conflicting languages, both printed and handwritten, and the fierce red marks added using stamps, cut-outs and daubings. The titular German customs label, which takes a prominent position at the top left of the work, points to a lack of personal autonomy and compounds the sense that Schwitters is escaping ideological oppression. The lack of cohesion – the texts run in several different directions – may be indicative of the upheaval that both the artist and the continent were undergoing at this time.”
— Hana Leaper
 

When it was announced that the artwork of my friend and fellow collage artist Robert Hugh Hunt would be featured to promote the planned production of “A Diary of Anne Frank,” the long-dormant Thespian awakened inside of me. In a moment of pure impulse, I showed up at the audition and soon found myself cast in the Pulitzer Prize-winning play.

I admit to woefully underestimating the commitment of time and inward focus, not having been involved with theater for nearly fifty years. As a result, my studio work surface has lain fallow and my sense of personal priorities has been throttled. Perhaps you’ve experienced something similar to this — an abrupt, self-generated break in routine that causes the discomfort of withdrawal, but at the same time, a positive awareness that the impending return to creative output will bring a new, energized perspective.
An unforeseen synchronicity is the juxtaposition of performing a character in dread of Nazi abuse with my evolving thoughts about what it must have been like for Kurt Schwitters as he fled his homeland, or when he escaped peril a second time as Germany invaded Norway. I had no conscious regard for treading into this emotional process when I walked down the street to my local community theater. Weeks later, I have no illusions about ever being able to simulate the terror that people endured during those years.

I am gratified to be part of a fine ensemble in an exceptional play. If you happen to be in my neck of the woods, get a ticket for our show before the seats are filled.

 

Promotional items for our local production feature
the mixed-media artwork of Robert Hugh Hunt
.

Mouse in the House

Saturday, March 31st, 2018

“You can’t really make ideas, create ideas. You know, all ideas are the same. They just wander by. If your house has mice, you never know when they’re going to show up, or how, or in which room. and great ideas are the same. They’re like mice. Just a mouse. A mouse in the house. And you step on its tail and you go, ‘Hold it, buddy.’”
— Jerry Seinfeld
 

Ideas will suggest ingredients, but, as often as not, ingredients will spark ideas. Actually, I prefer the latter. In discussing the groundbreaking Merz pictures of Schwitters, curator Isabel Schulz asserts that his materials “surrender their original function … but not all semantic meaning.” Those meanings can generate layers of additional meaning when ingredients combine in synergy. Before long, if the exterminator is not on site, the house is happily full of mice.
 
Mouse in the House ~ collage miniature by John Andrew Dixon ~ Danville, Kentucky ~ Kentucky Crafted Mixed Media Artist

Mouse in the House
collage miniature by J A Dixon
4.75 x 5.5 inches
 
Purchase this artwork.