Archive for the 'E Case' Category

Eros manet in nobis . . .

Sunday, February 19th, 2017

“I love the abstract, delicate, profound, vague, voluptuously wordless sensation of living ecstatically.”
— Anaïs Nin

I have to admit that I am weary of seeing the output of collage artists who glean from pornographic content and assemble images that generally fail to rise above the source material. It is a lazy way to shock at best and a mere trafficking in human objectification at worst. That being said, I do have a sincere regard for erotic minimalism, present throughout the full century of collage as an expressive medium. Needless to say, contemporary artists have kept the tradition alive — especially in Europe — and the best examples require no additional verbal explanation.
 

Alter Ego by Nicola Kloosterman

Nicola Kloosterman | Netherlands

Franz Falckenhaus

Franz Falckenhaus | Poland

Beatrice Squitti

Beatrice Squitti | Italy

Dance With Me by Una Gildea

Una Gildea | Ireland

Mother by Erin Case

Erin Case | Michigan, USA

Miriam Tölke

Miriam Tölke | Germany

Wim Maes

Wim Maes | Belgium

Eduring Beauty by Deborah Stevenson

Deborah Stevenson | Maine, USA

Multimedia 6 by Alexander D’Haese

Alexander D’Haese | Belgium

Waldemar Strempler

Waldemar Strempler | Germany

Odeur 11 by Katrien De Blauwer

Katrien De Blauwer | Belgium

Großwerden by Kerstin Deinert

Kerstin Deinert | Germany

Jaroslav Škojec

Jaroslav Škojec | Czech Republic

The Surreal Face, Part Two

Friday, August 5th, 2016

“If we adopt a surrealist viewpoint, art logically must be and naturally will tend to be surrealist, and thus be justifiable only in its ability to reveal the new, the ‘never seen,’ the parallel activity of thought and chance in consciousness.”
— Alan Gullette, 1979

You may recall, dear visitor, my June jaunt at this site into the staying power that “the surreal face” maintains in contemporary collage. I shall highlight a few more examples below. Old Mask II ~ John Stezaker ~ born 1949, Worcester, United KingdomWhen a distinct sub-genre of the medium intrigues me, as this one clearly does, I often attempt to “diagram its visual pedigree” through the history of modern art. This is not an easy task for a non-academic (nor one, perhaps, for a scholar). A “collage geneologist” can run the risk of getting sidetracked into Man Ray or René Magritte, only to question whether use of the word “surreal” is relevant at all. Does it make more sense to trace a connection from Picasso to Tatlin to Hausmann’s 1920 homage to the Russian Constructivist and thereby leap-frog André Breton’s “psychic automatism” entirely? As much as I love the history of collage, all that delineation is beyond the scope of your humble Collage Miniaturist. Pulcinella’s Secret ~ John Andrew DixonAskance ~ John Andrew DixonSuffice it to say that the gongs of Dada still reverberate. Ultimately, we are more concerned with a phenomenon that is alive and well among contemporary collage artists (and that long ago shed any musty trappings of Weimar Republic protest, Trotskyite dilettantism, or hostility toward religion). Even a cursory review of recent collage output exposes an enduring thread weaving its way through students, emerging professionals, veteran practitioners, and masters of the medium. Rather than muddy ourselves grubbing 20th-century roots, let us instead ask two important questions — What is the elusive essence of “the surreal face,” and why does its enduring appeal lack any sign of a downtrend?
 

Isabel Reitemeyer
Her consummate approach convinces me that less indeed can be more.

Robert Hugh Hunt
Fresh, intuitive, culturally aware. Robbo’s art springs from individuality.

Manu Duf
There is never a timid thing about his proficient approach to collage.

Eduardo Recife
The Brazilian illustrator sets a high standard for digital collage.

Erin Case
The Michigan-based artist is rapidly making her mark as a collage pro.

Claudia Pomowski
The versatile graphic artist is a “collage experimentalist.”

Jordana Mirski Fridman
This emerging designer/artist is “exploding” onto the medium.

Julia Lillard
The self-taught Oklahoma artist has nailed “the surreal face.”